Permanent Guests / They Were Some Kind of a Solution
Margareta Kern, Božena Končić Badurina & Duga Mavrinac, Bosiljka Schedlich’s project The Trip. Women from Yugoslavia in Berlin (1987)
The project They were, those people, a kind of solution is funded through European Union’s Creative Europe program.
Exhibitions
Permanent Guests / My Life to Live
The exhibition My Life to Live presents works by four female artists whose artistic practices encompass both a wide range of media and innovative review of historical practices of contemporary art and film.
Signs and Whispers
The exhibition Signs and Whispers presents examples of artistic practices that examine the concept of the border, the economic and ideological causes of migrations, and the dominant policies of presenting "the migrant and refugee crisis".
Stories, temporarily
Stories, Temporarily brings together artistic observations about the social situations related to the causes and effects of migrations.
Fuel to the Fire
Natascha Sadr Haghighian’s new installation Fuel to the Fire raises topical issues like the militarization of the police, images as testimonies, and institutionalized racism and violence. Along with the exhibition, artist’s book was produced related to the exhibition as well as screening program and discursive program that included the screening of Handsworth Songs by Black Audio Film Archive and Riots Reframed by Fahim Alam.
Discrepancies with G.G.
The minimalist and yet sensual installations of Leonor Antunes reveal traces of twentieth-century modernist architecture as well as how materials move across the world.
Semra Ertan and Audio Tape Index
In 1982, a 25-year-old poet, draughtswoman, and interpreter from Turkey set herself on fire in the German city of Kiel. Semra Ertan’s story is the starting point for Cana Bilir-Meier’s video Semra Ertan (2013, 7:30 minutes), which can be described as a filmic poem.
77sqm_9:26min
In 1982, a 25-year-old poet, draughtswoman, and interpreter from Turkey set herself on fire in the German city of Kiel. Semra Ertan’s story is the starting point for Cana Bilir-Meier’s video Semra Ertan (2013, 7:30 minutes), which can be described as a filmic poem.
Soon enough: Art in Action
Soon enough: art in action is an exhibition about futures. It is inspired by the urgencies of our time, and a conviction that artistic practice can communicate complex problems and coordinate resistance.